Many professional photographers and serious hobbyists have been using Adobe Photoshop Lightroom 2 as an integral part of their editing workflow. With Adobe Photoshop Lightroom 3, even more photographers are likely to adopt this software as a one-stop photo-editing resource. See also: Adobe Photoshop CS6 review.
Lightroom's core purpose has always been to provide tools for sorting, organising, developing, and publishing photos, but Adobe Photoshop Lightroom version 3 upgrades Lightroom's flexibility with its new noise reduction engine and improved RAW processing, as well as the streamlined workflow.
Importing images into Adobe Photoshop Lightroom 3 is a more simple process, which makes finding and defining your source and destination easier. For instance, the import interface reveals all attached drives but greys out all previously imported files, to avoid duplication. Once you've defined your naming convention for imports, the type of import, file handling, metadata and other options, you can save an import presets for future use with a couple of clicks.
A compact view of import implements your presets and gives you control over editing metadata, keywords, and type of import. Unfortunately, Adobe Photoshop Lightroom 3's import interface ignores folder structures on CF and SD cards, so we had to waste time creating filters to define groups of photos and then import each group individually.
Adobe Photoshop Lightroom 3 now has direct support for tethered image capture for Nikon and Canon cameras, so you don't need to use the camera's own software – a useful option for studio photographers.
Once you've loaded your images into Adobe Photoshop Lightroom 3, you can begin your core operations in the Develop module. The Develop module's most obvious change in Lightroom 3 is the direct access it gives you to all collections and recent folders; in the past, you had to go back and forth between the Develop module and the Library module. The bigger news, though, lies in how the module processes RAW files.
Specifically, Adobe has rewritten the tool's demosaicing, sharpening, noise reduction, and vignetting algorithms; and you can now add filmlike grain to your pictures. In our tests, the resulting improvements were more obvious in some photos than in others, as you'd expect. But the noise reduction enhancement is very welcome, offering more-precise controls for reducing or eliminating noise while retaining more detail.
For those image files previously processed in Lightroom 2.5, Adobe Photoshop Lightroom 3 introduces versioning. You can choose to apply the new noise algorithms or use your old edits.
Incidentally, Adobe Camera RAW and Adobe Photoshop Lightroom 3 now use the same RAW processing algorithms, so you can retain in either program any editing that you do in the other.
The Develop module's Lens Correction reads image metadata and automatically corrects distortions inherent in the specific lens used for the shot. Though Adobe supplies only some lens profiles from Canon, Nikon, Sigma, Sony, and Tamron, Adobe Photoshop Lightroom 3 works closely with Adobe Lens Profile Creator (free online from Adobe Labs), enabling you to create a profile for any lens you use. It's a comparatively easy process, involving photographing a target and then putting the images through Adobe's software to generate the profile.
Though we happen to like the creative distortions of certain lenses, it is nice to be able to automatically remove flaws, and to have control over how much distortion to keep or add.
In view of how many DSLRs can now record video, it's only natural that Lightroom should support video files. You can now import, catalogue and preview video without leaving the Adobe Photoshop Lightroom 3 interface.
The Slideshow module improves video output, too, by simplifying how it handles music and MP4 export. Select your music file, and Lightroom will automatically calculate the appropriate duration of each slide to have the show sync with the length of the music. You can then customize your fade times.
A new Custom Package print option allows you to create pages with different backgrounds and place photos on them by using customizable cells of specific sizes, or by dragging a photo from the filmstrip. You can overlay the cells, abut them or arrange however you wish; fine-tuning is possible by moving pixel by pixel with arrow keys.
Adobe has made few changes to Lightroom 3's Web module. But you can now add watermarks – a much-needed addition. Several watermarks cn be saved (such as logo, copyright, and name) to your web pages, or you can edit right there, when you need to use them. This is a great production advantage when you need to upload batches of images.
With Lightroom Publishing Manager, the program will keep track of which images you've uploaded, and which you've modified since uploading (so you can republish them). In addition to FTP uploads, Lightroom permits easy upload to Flickr. But Flickr is far from the first choice of most serious photographers. Uploads to more-suitable sites (such as Smugmug) are possible but require third-party plug-ins.
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