We found we had to turn the bass control knob to its absolute minimum setting to get a natural balance, and even then it could be a bit too bass heavy in some modern music productions. But we were then rewarded with quite tight and tuneful bass, all securely underpinning the sound from the satellites.
The inviting quality of the Creative GigaWorks T3 system's sound presentation was helped by the use of a single driver, rather than a two-way speaker, which inevitably suffer a little from phase errors.
This is due to the crossover filter network, which splits the sound into mid and treble frequencies for the respective drive units. Get the finished speaker more phase linear - much easier with but a single driver - and the sense of space in a soundfield will be that much more realistic.
The downside is often that the highest of frequencies will be a little subdued, as you might expect when asking one tiny speaker to reproduce over six octaves of sound; but overall the Creative GigaWorks T3 could conjure up a smooth and mellow sound, dimensionally deep with some quite convincing stereo imaging.
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While top-end treble sparkle was not as well defined as with a speaker using a separate tweeter, this had the effect of softening the grain of less than stellar-sounding music sources, while hiding the inherent grain of Class D amplification.
Meanwhile, the Creative GigaWorks T3 bass speaker proved aptly profound in extension, yet suitably taught and well-timed, able to stop and start sufficiently precisely - and with ample kick when called upon from acoustic drums. It could also play a well-pitched thrum from the steady pedal notes of keyboard synths.
Compared to a true hi-fi setup, the Creative GigaWorks T3 may have shown a lack of real transparency to the original music, for sure, but overall tonality was rated good, with no serious vices in the ‘voicing' of this sytem.
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